Anand (Ravi Teja) is supposed to turn into the new President of Individuals Shop, an organization possessed by his dad Chakravarthy (Sachin Khedekar). While Chakravarthy is being treated for a terminal sickness, JP (Jayaram), a corporate mafia figure, offers to assume control over the organization no holds barred. Anand and his dad choose to look for the help of Swamy (Ravi Teja), who looks like Anand, in managing JP.
What is Swamy’s relationship from Anand’s point of view? Is Swamy subbing for Anand? Is there going to be another wind?
The creators of ‘Dhamaka’ during their advancements said the film will resemble one more variant of Chiranjeevi starrer “Raucous Alludu”, a 1991 mass performer. In ‘Unruly Alludu,’ an industrialist’s shrewd adversaries murder him and supplant him with his doppelgänger Johnny, an auto driver.
‘Dhamaka’ starts like a ‘Rambunctious Alludu’ yet turns out to be an alternate variant of ‘Ala Vaikunthapurramloo’. Consequently, the film’s plot and design make a feeling of recognizable. The significant bend that happens right at the stretch bang is fine however everything comes down to Ravi Teja’s allure and brand of diversion than the content.
Comedic composing is Bezawada Prasanna Kumar’s strong point, while parody execution is Ravi Teja’s. It’s a good idea that the film succeeds just in this regard. A great deal of chuckles can be had initially with Ravi Teja and Sreeleela. Ravi Teja is the film’s flash attachment, driving the activity forward with his sharp mind and timing. One of the most outstanding satire scenes in the film is the farce of ‘Indra’ film.
Indeed, even the most magnetic legend can not save a film with a conventional plot and a dreary content. That happened to ‘Dhamaka,’ and that is the reason the later parts are so dull.
It’s laid out right off the bat that Jayaram is a corporate hooligan twisted on obliteration, however the last part of the film experiences an absence of sensational force. The film’s closure is the most humiliating part.
As far as acting, the film lays soundly on the shoulders of Ravi Teja, who gives an enthusiastic exhibition. In comedic settings, he’s in fantastic shape. A brilliant marvel, Sreeleela radiates a charming magnetism. She infuses life into the procedures regardless of her job’s consistency.
Capable exhibitions are given by Jayaram, Sachin Khedekar, Rao Ramesh, Hyper Aadhi, and Tanikella Bharani.
Bheems has given generally great result. Two of the tunes have circulated around the web and function admirably on screen too.
Primary concern: To summarize, “Dhamaka” tries to be “Rambunctious Alludu,” yet it misses the mark in conveying the dhamaka (saltine) diversion it guarantees. Tunes are infectious, and Ravi Teja’s enthusiastic exhibition and engaging pieces assist with conveying the film. The later pieces of the show, in any case, are very exhausted and dull.